In our final episode we return to a favourite album of mine, I chat Let's Get Small with Luba Magnus and Yaw Attuah. While this is the final episode of Comedy Album Book Club in its current incarnation please stay subscribed. We'll be bringing one off special conversations as well as coming back with a whole new format in the future. Thanks for three years of support and we look forward to returning new and refreshed.
In celebration of two years in the studio, we re-air this awesome episode featuring Courtney Gilmour where we chat about John Mulaney's Kid Gorgeous at Radio City. Our first full panel in the studio space.
I had an opportunity to talk with the always funny Tracy Hamilton about comedy, self-care and her awesome podcast Love is Everywhere. This was a terrific opportunity to catch up with a funny friend and chat about the realities of the comedy world right now, their inspirations and some of their crazier experiences as a working stand-up (plus what kind of animal her stand-up is).
Clare Blackwood and Ryan Hughes of Whisky Kids chat with Matt about the film Easy A, like a high-class podcast for governors or athletes. This great conversation runs the gamut from favourite moments to stand out performances. Give it a listen and be sure to watch the film.
In this episode I have the pleasure of chatting with returning guests Alicia Carrick and Emily Milling as well as Julia Jones, Sam Sexton and Jo Anne Tacorda all of Big Chick Energy. It was a real joy to chat with this hilarious group (and do yourself a favour, check out their video Spanx live today). We discussed the incredible Ali Wong and her special Baby Cobra. This is the first of our virtual episodes recorded over zoom so please forgive the audio quality. As always we encourage you watch the special before listening to the episode but please, enjoy.
I sit with comics by Andy Wong, Christine Kay, Justin Antony, Kenzie Nelligan and Rosemary Quinlan to discuss the disgraced comic Louis C.K.'s album Hilarious. This is a difficult conversation about the comic at a pivotal moment in his career and how his eventual disgrace recontextualizes this earlier work.
I sit with comedian Joe Vu where we talk about the mechanics of comedy and the life of a comedian. We also touch on his amazing album First Generation Comedian. If you can download it and give it a listen now.
All last week and all this week we're in the throes of the Toronto Sketch Comedy Festival 2020! The 15th festival has been a showcase of some amazing talent with both new acts and returning acts. One of the returning acts is Girl Brain from Edmonton. This awesome troupe composed of Alyson Dicey, Ellie Heath and Caley Suliak wowed audiences from the mainstage of Comedy Bar on Friday and Saturday night.
I reached out to them and asked if there was any album they'd like to chat about while in town. They suggested Mike Birbiglia's Sleepwalk With Me, an album I was very familiar with having first heard it as part of an episode of This American Life.
Go give the album a listen and if you're a real keener like me check out the This American Life episode as well as the movie adaptation and the special. Feel the full Sleepwalk With Me Experience!
Last year this time I was scrambling to listen and relisten to the 1976 Saturday Night Live album and make sure I had my talking points all straight in my head. This year is a different story, I was there to just enjoy The Toronto Sketch Comedy Festival kicked off in earnest yesterday with their Gala opening and it was a perfect charcuterie plate of sketch comedy.
When I arrived at the Theatre Centre on Queen West by Ossington the Toronto comedy community was out in force in the lobby of the Franco Boni Theatre which had the day before played host to the Toronto Sketch Comey Film Festival where they announced the sketches that would be in consideration playing at the start of every show in the festival. People were walking the Blue Shag carpet and snapping photos, joking around pulling big laughs from their friends, and rubbing elbows whilst drinking beer and eating oysters.
The energy in the room was truly electric, the festival was entering it’s 15th year and despite challenges thanks to the change in government the producers (including Paul and Julianne Snepsts, Damien Nelson, Zohaib Khan and Erin Conway plus an army of volunteers and a handful of staff) pulled together an amazing lineup featuring a breadth of talent from around the globe. With 12 days of programing starting March 4th through the 15th and acts performing at Comedy Bar, the Theatre Centre, The Streetcar Crowsnest and John Candy Box Theatre.
Last night I was there to watch friends of the podcast Brandon Hackett and Jon Blair but also see Brandon perform as his duo Hacket & Langdon (with Jonathan Langdon) for the first time plus see the Diddilin’ Bibbles (Lesley Robertson and Matt Shaw) whom I’ve been trying to get to see for ages but continually had fate intervene plus the astounding Diane (Laura Ramoso) who performed at the same Sketch showcase as I had and I was totally enthralled with her amazing lightning performance.
As we settled we watched the hilarious filmed sketch Boss Prevention Program by the Toronto sketch troupe Sweet Pete (Áine Davis, Kyle Forsyth, Patrick Ronan and Lana Maclin). For anyone who’s ever worked in retail the pun is as much a delight as the sketch itself. I’m looking forward to watching all the videos over the course of the shows. We didn’t linger though, pretty soon after the video Paul Snepsts came out to welcome us to the show. Paul charming as ever warmed us up for the acts and reminded us of the big hurdles that the festival had faced over the past year being sure to thank all the sponsors for their contributions.
I’m not going to spoil any of the acts sketches but I’m going to try and capture the spirit to encourage you to go out and get a ticket to see them over the next two weeks.
Out of the gate we were greeted by Jon Blair (former Sketchersons member and writer plus veteran of Toronto Sketchfest, Just For Laughs, This Hour has 22 Minutes and Because News) and his delightful comedy. Jon did a trio of sketches that combined pop culture, topical humour and a slightly delightful absurdism that still felt grounded. The energy from Jon had the illusion of being frenetic in nature but was always controlled with John steering you to the laugh and knowing when to go high or low with the joke.
Next up was the Diddlin’ Bibbles, the duo of Lesley Robertson and Matt Shaw as their characters Jessop and Rose-Marie Bibbles (sex positive polyamorous life partners from the town of Widdlywack sexy folk singers). Lesley and Matt are accomplished actors with Second City Conservatory, George Brown Theatre School experience, a host of classical theatre roles and coaching for The Assembly. The full breadth of their talent is on display the moment they walk onto the stage, these characters are realised and seamless. There is a hilarity to their performance that is simply unbridled and the ability to balance the work of singing and telling jokes and little asides that keep the hilarity dialed to 11 is truly amazing. Next time they are performing I will make the time to get to see them as this was a joy to behold.
After a brief break we came back to diane, Laura Ramoso has travelled the world before settling in Toronto where she graduated from Second City’s Sketch Conservatory and is an alum of the Bad Dog Featured Players as well as being invited to perform at the Just for Laughs New Faces Solo Character Showcase. Laura wowed us with a mime piece that was totally relatable to everyone who’s ever found that perfect something to just have it go sideways as well as a segment from her show diane which included a whiplash switch of characters and an amazing turn. Laura’s talent and professionalism showed through as did her love of clown and commedia dell’arte and its meshing with western sketch styles created an amazing piece of comedy.
Lastly we closed the night out with Hackett & Langdon, Brandon you may remember from our show at last year’s sketchfest (a veteran of the Sketchersons, This hour has 22 Minutes, The Beaverton and Second City) was joined by Jonathan Langdon (No Tomorrow, Utopia Falls, NOS4A2) and had us laughing out of the gate. Their sketches combined physicality and subtlety with silly asides that kept the audience engaged and laughing never knowing where they were coming from next. My favourite sketch of theirs ended on such a twist there was literally no way I’d have seen it coming.
As we wrapped up Paul came out once again to thank the sponsors and thank us for being there and also remind us of the bucket at the door. Last year the festival took a big hit when arts funding in the province was slashed, this year more than ever they need your help. At the end of the show if you can help donate to keep the festival going and fund their grant programs that have helped sketch artists fund projects including stage and screen performances, you can help fund professional development projects for artists who attend the festival to develop their skills and you can help just keep the festival going. The amazing thing is, by dropping some money in the bucket Second City will match your donation dollar for dollar. It’s wonderful to see organizations like Second City, CBC and many more step in to fill the gap and have artists help other artists keep their voices strong.
Come out and check out this year’s Toronto Sketch Comedy Festival and hopefully I’ll see you around.
This week we sat with the hilarious Martha O'Neill and Karen O'Keefe to discuss their albums Fine Big Girl and Surprised Eyebrows. We touched on the process of recording an album, the state of comedy in Canada and the amazing powers of attraction granted to you on recording a comedy album. Thanks again to Karen and Martha for joining me and please go out and buy their albums today. You will not be disappointed.